Contents. History 1960s The group formed in 1960 as The Sunliners and changed its name to Rare Earth in 1968. After recording an unsuccessful debut album, Dream/Answers, on the label in 1968, the group was signed to Motown in 1969. The band was one of the first acts signed to a new Motown imprint that would be dedicated to white rock acts.
The record company did not have a name for the new label yet and the band jokingly suggested Motown call the label 'Rare Earth'. To the band's surprise, Motown decided to do just that. The main personnel in the group were Gil Bridges,; Peter Hoorelbeke (aka Peter Rivera), lead,; John Parrish (aka John Persh),; Rod Richards (born Rod Cox), vocals; and Kenny James (born Ken Folcik),. The group's recording style was hard-driving. In late 1969 Edward 'Eddie' Guzman ( and assorted percussive instruments) was added to the group. During 1969 the group contributed music to the film that starred and.
An accompanying soundtrack album was released, but quickly withdrawn after the film failed commercially, with only a small number of copies sold. Several tracks were remixed and included on the next LP, in 1970. 1970s Rare Earth had a number of Top 40 hits in 1970–71, including remakes of ' ' (which was used in the documentary video ) and '. Each was more successful than The Temptations original, with 'Get Ready' being their biggest hit, peaking at #4 on the US. This sold over one million copies and received a awarded by the. The group gained a bit of notoriety when it was mentioned dismissively in 's 1970, ', which included the line, 'The theme song to the revolution will not be written by, nor sung by, or the Rare Earth.'
In 1971 Richards left due to musical differences, and James, weary of the group's increased touring schedule, also departed. Ray Monette (guitar) and Mark Olson (keyboards, vocals) joined to replace them. The group's hits from late 1970 to early 1972 were 'Born To Wander' (#17), ' (#7), and 'Hey, Big Brother' (#19). There were no significant hits thereafter.
Nevertheless, the band continued to record into the 1990s. By 1972 Motown had decided to relocate from Detroit to and Rare Earth soon followed suit. Persh, however, decided not to make the move and was succeeded in the band by Mike Urso (Persh later died from a hospital on January 27, 1981). Their 1973 album, Ma, written and produced by, is considered one of their best overall works, and features their version of '. Unfortunately, it didn't sell all that well and produced no hits. Rare Earth was the opening act at festival in on April 6, 1974. The festival attracted over 250,000 people, and the band appeared alongside 1970s rock groups;;;;; and the.
Portions of the show were broadcast on Television in the U.S., exposing the band to a wider audience. In 1974 the group began working with Motown producer Frank Wilson on their next project.
But in his autobiography, 'Born to Wander', Hoorelbeke described his having objections when Wilson okayed a song contributed by Olson without running it by the others first. Hoorelbeke thought the song was not up to the band's usual standards and Wilson ended up being taken off the project. In July 1974 the group divided. Mike Urso left the group along with Hoorelbeke and they formed a new band, HUB, with Rare Earth's 1970–1972 co-producer, Tom Baird, using the initials of their surnames (Hoorelbeke, Urso and Baird). HUB went on to record two albums for but came to a sudden end in November 1975 after Baird was killed in a boating accident. The others (minus Olson who left to join the backup band for ) decided to continue as Rare Earth and brought in new players: Jerry LaCroix (vocals, sax, harmonica, formerly of, and ), Paul Warren (guitar, backing vocals), Bartholomew ('Frosty') Eugene Smith-Frost (formerly with and, drums), Reggie McBride (ex-, bass) and Gabriel Katona (keyboards). The new lineup recorded Back to Earth in 1975 and went back on the road.
However, both Paul Warren and Frosty left during this tour and new drummer Chet McCracken (who would go on to join ) was hired to finish out their 1975 tour. The band then recorded Midnight Lady (minus Katona and McCracken), which was released in 1976. Frank Westbrook replaced Katona on keyboards, whilst McCracken was not replaced, instead session musician Ollie Brown handled percussion duties for Midnight Lady. But neither of these releases sold as well as the band had been used to and they soon found themselves bogged down and unable to tour when they brought a lawsuit against former member Hoorelbeke, falsely claiming that he'd tried to make off with the group's name and retirement monies. The lawsuit was eventually settled in Hoorelbeke's favor and he was given a settlement. In late 1976, a former Motown vice president, Barney Ales, an earlier champion of Rare Earth, returned to the company to head up one of their new offshoot labels, Prodigal Records. He made an offer to the group to reunite with Peter Hoorelbeke.
The 1972–74 membership of the band (Hoorelbeke, Bridges, Urso, Olson, Monette and Guzman) were scheduled to record a new album on Prodigal. However, Monette and Olson did not agree to the terms and abstained. Session players Dan Ferguson (guitar) and Ron Fransen (keyboards) were brought in instead to play on Rarearth, which was produced by James Anthony Carmichael (who later had success with and ). It was released in 1977 but failed to reach expectations. Later in 1977, the group reassembled with Chicago-based producer John Ryan (who worked with and others) to begin work on two new albums.
This time, Monette and Olson agreed to join in and the results were Band Together and Grand Slam, both released in 1978 and featuring more of a late 1970s sound, with the former providing the -penned hit ', which peaked at #39. Other than the one solitary hit, neither album was a big seller and the band soon found themselves without a home. Bassist Robert Wilson contributed to some of the tracks on Band Together. In June 1979, Urso left the band again. On his recommendation, and after hearing several bass players, the group recruited bassist, who joined the group's road tours for two years until June 1981.
Johnston had just completed a stint with jazz singer Maxine Weldon and had rejoined Las Vegas comedian/songster Kenny Laursen. He interrupted his tour with Laursen to join Rare Earth in Florida. 1980s and 1990s. This section does not any. Unsourced material may be challenged and.
(November 2016) Former Motown writer, who'd penned the band's hits 'I Just Want to Celebrate' and 'Hey Big Brother', was next to step back into the group's life in 1980. He'd just come off back to back successes with and and had won a for Gaynor's huge hit. Expressed interest in the band's new project and gave them an advance to go ahead and start recording. The project was originally to be titled King of the Mountain, with the title track slated to be the theme of a 1981 movie of the same name that starred.
But the movie people passed on the song, and when the record was done, RCA was not happy with Fekaris' production, so they passed as well. This album, retitled Tight & Hot, saw a very limited release in 1982 in only.
By the summer of 1981, Mike Urso had returned to Rare Earth after a two-year absence, but he left again in mid-1983, and has not returned to the band since then. Tim Ellsworth was then brought in as new bassist/vocalist in September 1983. By the tail end of that year, Peter Hoorelbeke was gone from the band as well after disagreements with Gil Bridges (Hoorelbeke went on to form in 1992). Drummer Tony Thomas replaced Hoorelbeke on drums. After Hoorelbeke's departure, Ellsworth and Olson took over lead vocals.
By that time most of the members of the band had moved back to Detroit and the group continued to tour playing mostly clubs despite the lack of a recording contract. Personnel shuffles abounded in the mid-80s: In September 1984 Bob Weaver took over the drum throne and played with the group into 1985. He was temporarily succeeded by Bob Brock, whose professional name was Bobby Rock (not Bob Rock, the famous / producer from Canada), but returned only to be replaced by Jerry LeBloch in mid-1985. Also in September of '84, Andy Merrild replaced Tim Ellsworth as bassist until the end of June 1985. Ellsworth then returned and toured with the group until the end of August of '85.
The group's road manager, Randy 'Bird' Burghdoff, took over as Rare Earth's bassist in September 1985 and has remained in that position ever since. Mark Olson was let go in 1986 after increasing personal and substance abuse troubles (Olson died on April 14, 1991, at the age of 41, from liver disease). Rick Warner was then rolled in as the band's new keyboardist and Wayne Baraks, who was brought in in 1987 on rhythm guitar, took over much of the lead vocals as well.
In the late 80s and early 90s the musical chairs slowed down somewhat as things stabilized and the band found itself in demand to play on 'oldies' bills with other acts of the 60s and 70s. Drummer Dean Boucher replaced LeBloch on drums in 1990 and RE signed with the small label Koch International and began work on a new album. The result was Different World (released in February 1993) which was a collection containing a few covers of older songs and new material. It was mostly overlooked by the public.
On July 29, 1993, the band suffered the loss of another member when long time percussionist Eddie Guzman (age 49) died at his home in Howell, Michigan. The group kept going, though, and brought in new drummer Floyd Stokes Jr., who also took over for the departing Boucher, and took on lead vocal duties too after guitarist Baraks pulled out of the group in 1994. Other than Mike Bruner's succeeding Rick Warner in January 1998 and Ivan Greilich's filling in for Ray Monette for five years (2004–2009), the lineup has been stable overall during the last decade or so.
Rare Earth continues to perform at corporate events and on the oldies circuit. Bits from their recordings have been used as on recordings as diverse as 's 'Derelict', and 's 'GDMFSOB (feat.
Uncensored version)', 's 'Try Counting Sheep', 's 'Tale of Five Cities', 's 'Faith', 's 'Real Niggaz Don't Die' and 's 'What's Going On'. 2000 and beyond Their hit 'I Just Want to Celebrate' has been used in US-wide advertising campaigns by, and. In 2005, Rare Earth was voted into the Michigan Rock and Roll Legends Hall of Fame. On October 27 and 28, 2007, band performed 'I Just Want to Celebrate' during their acoustic performances at 's show. Members Current members.
Gil Bridges – saxophone, flute, lead vocals (1960–present). – lead guitars, vocals (1971–1976, 1977–2004, 2009–present). Randy 'Bird' Burghdoff – bass, vocals (1985–present). Floyd Stokes Jr. – drums, lead vocals (1993–present).
Mike Bruner – keyboards (1998–present) Former members. Peter Hoorelbeke (a.k.a. Peter Rivera) – drums, lead vocals (1960–1974, 1976–1983). John Persh (a.k.a. Released in 1970 as a single from Get Ready.
Problems playing this file? Studio albums Year Album 1968 Dreams/Answers - 19 Generation (Soundtrack) - 19 28 19 65 19 Midnight Lady - 1977 Rarearth 187 1978 Band Together 156 1978 Grand Slam - 1982 Tight and Hot - 1993 Different World - 2008 A Brand New World - Live albums Year Album 19 Live in Chicago - 1989 Made in Switzerland - 2004 Rock 'n' Roll Greats RARE EARTH in concert! - 2008 Rare Earth Live - Singles Year Single Chart Positions 1969 'Generation, Light Up The Sky' -1970 ' 4 - 1 ' 7 - 'Born To Wander' 17 - 1971 ' 7 - 'Someone To Love' -'Any Man Can Be a Fool' -'Hey Big Brother' 19 - 1972 ' 61 - 'Good Time Sally' 67 - 'We're Gonna Have a Good Time' 93 - 1973 'Ma' 108 - ' 110 - 'Big John Is My Name' -1974 'Chained' -1975 'Keepin' Me Out of the Storm' -'It Makes You Happy' 106 - 1976 'Midnight Lady' -1978 ' 39 68 Compilation albums. 1975 Masters of Rock.
1976 Disque d'Or. 1981 Motown Superstar Series, Vol.
16. 1988 Get Ready/Ecology.
1991 Greatest Hits & Rare Classics. 1994 Earth Tones: Essential. 1995 Anthology: The Best of Rare Earth. 1996 Rare Earth featuring Peter Rivera. 1998 The Very Best of Rare Earth. 2001 20th Century Masters - The Millennium Collection: The Best of Rare Earth.
2004 The Collection. 2005 Get Ready and More Hits. 2006 Best of Rare Earth. 2008 Fill Your Head: The Studio Albums 1969-1974 References. Jim McCarthy; Ron Sansoe (2004).
Hal Leonard Corporation. Jim McCarthy; Ron Sansoe (2004). Hal Leonard Corporation. Howie Thompson (26 February 2013).
Xlibris Corporation. ^ Hill, Gary. Retrieved 2011-11-02. McIntyre, Ken. Retrieved 16 December 2016. Voger, Mark.
Retrieved 26 July 2014. Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.).
London: Barrie and Jenkins Ltd. April 6, 1974. Retrieved 2011-11-02.
External links. at.
クレイジーケンバンド – Single Collection / P-VINE YEARS Released: 2011 Genre: Funk Bitrate: FLAC & MP3 320 KBPS RAR / 527 MB / 544 MB; RAR / 183 MB / 186 MB Tracklist: Disc 1: 1. せぷてんばぁ(せぷてんばぁ) 2. 夜のエアポケット(せぷてんばぁ) 3. かっこいいブーガルー(せぷてんばぁ) 4. まっぴらロック(まっぴらロック) 5. お・ん・な(まっぴらロック) 6.
ABCからZまで(まっぴらロック) 7. CRAZY KEN BAND’s Information(まっぴらロック) 8. 香港グランプリ(GT) 10. CRAZY KEN BAND’s Information(GT) 12. クリスマスなんて大嫌い!!なんちゃって(クリスマスなんて大嫌い!!なんちゃって) 13. コマーシャルでス。(クリスマスなんて大嫌い!!なんちゃって) 14.
タイガー&ドラゴン(タイガー&ドラゴン) 15. ヨコスカン・ショック(タイガー&ドラゴン) 16. ファイアー・クラッカー(タイガー&ドラゴン) 17. Eye catch(虎)(タイガー&ドラゴン) 18.
アメ車と夜と本牧とMo’Mansfield Roc Mix (タイガー&ドラゴン) 19. Eye catch(龍)(タイガー&ドラゴン) 20. 甘い日々(甘い日々) 21. あっ、やるときゃやらなきゃダメなのよ。(甘い日々) 22. Crazy Ken Band(甘い日々) Disc 2: 1.
CKBB-D2(OLDIES BUT GOODIES) 2. ブラジルの神(OLDIES BUT GOODIES) 3. かわいいかわいいかわいいベイビー(OLDIES BUT GOODIES) 4. プチッ!チュウ!カフェフレッソtypeⅠ(OLDIES BUT GOODIES) 5. プチッ!チュウ!カフェフレッソtypeⅡ(OLDIES BUT GOODIES) 6. プチッ!チュウ!カフェフレッソtypeⅢ(OLDIES BUT GOODIES) 7.
プチッ!チュウ!カフェフレッソtypeⅣ(OLDIES BUT GOODIES) 8. あぶく-Single mix-(あぶく) 9. 殺したいほど好き/情念のミックス(Remix:CKB-Annex)(あぶく) 11. Cosmic Night Run/満漢全席仕様(Remix:CKB-Annex)(あぶく) 12. メリメリ(メリメリ) 13. メリメリ放送局(メリメリ) 14.
コカ・コーラの唄(スカッとさわやか)(メリメリ) 15. Thirtyseven Degrees powerd by CKB-Annex(メリメリ) 16. EMCEE其の弌(メリメリ) 17. 魂拳-Soul Punch-powerd by CKB-Annex(メリメリ) 18. EMCEE其の貳(メリメリ) 19. てんやわんやですよ(てんやわんやですよ) 20.
家に帰ろうよ(てんやわんやですよ) 21. た・す・け・て(てんやわんやですよ) 22. Eye catch(てんやわんやですよ) 23. ジャムるこころ(てんやわんやですよ) 24.
若さでムンムン(昭和レジデンス赤盤) 25. お聞き下さい皆様よ(昭和レジデンス赤盤) Download: FLAC: Disc 1: Disc 2: MP3: Disc 1: Disc 2.
. ' The Power of Love' is a song co-written and originally recorded by in 1984. It has been covered by several artists, most notably by, and. Rush's original version, released in her native United States at the end of 1984 and in Europe during 1985, went to number one in the United Kingdom in October 1985 and became the biggest-selling single of the year in that country.
It was also a number one single in several other European countries, as well as Canada, Australia and New Zealand. Dion's version went to number one in the United States, Canada and Australia in 1994. The song has been translated into several languages, becoming a pop standard. Original album version (6:00). Special radio edit (4:43) This is an edit of the original album version. Orchestral remix (6:00).
International album version (5:45) Remixed by Walter Samuel. Remix (4:20) Remixed by Walter Samuel. This is an edit of the international album version. Extended remix (7:10) Remixed by Walter Samuel.
Different mix to the international album version/remix Track listings Europe 1st press 7' (CBS CBSA 5003) No. Title Length 1. 'The Power Of Love Original Album Version' 6:00 2. 'I See a Shadow (Not a Fantasy)' 4:20 Europe promo 7' (CBS PROSI 24) No. Title Length 1. 'The Power Of Love Special Radio Edit' 4:43 2. 'The Power Of Love Original Album Version' 6:00 Europe 1st press 12' (CBS CBSA 12.5003) No.
Title Length 1. 'The Power Of Love Original Album Version' 6:00 2. 'Nobody Move' 3:12 3. 'Into My Dreams' 4:00 Europe 2nd press 7' (CBS CBSA 5003) / U.K.
1st press 7' (CBS A 5003) No. Title Length 1. 'The Power Of Love Orchestral Remix' 6:00 2.
'I See a Shadow (Not a Fantasy)' 4:20 Europe 2nd press 12' (CBS CBSA 12.5003) No. Title Length 1. 'The Power Of Love Orchestral Remix' 6:00 2. 'Nobody Move' 3:12 3.
'Into My Dreams' 4:00 U.K. 1st press 12' (CBS TX 5003) No. Title Length 1. 'The Power of Love Orchestral Remix' 6:00 2. 'Come Give Me Your Hand' 3:49 3. 'I See A Shadow (Not A Fantasy)' 4:20 U.K.
Promo 7' (CBS A 5003) No. Title Length 1. 'The Power Of Love Remix' 4:20 2. 'The Power Of Love Orchestral Remix' 6:00 U.K. 2nd press 7' (CBS A 5003) / U.S.
7' (Epic 34-05754) No. Title Length 1.
'The Power of Love Remix' 4:20 2. 'I See a Shadow (Not a Fantasy)' 4:20 U.K. 2nd press 12' (CBS TX 5003) No. Title Length 1. 'The Power Of Love Extended Remix' 7:10 2. 'Come Give Me Your Hand' 3:49 3. 'I See A Shadow (Not A Fantasy)' 4:20 Spain 7' (CBS A 6975) No.
Title Length 1. 'Si tu eres mi hombre y yo tu mujer' 5:10 2. 'The Power Of Love Remix' 4:20 Europe re-released CD single (6614112) 1995 No. Title Length 1.
'The Power Of Love Special Radio Edit' 4:43 2. 'The Power Of Love Orchestral Remix' 6:00 3. 'Ave Maria (Survivors Of A Different Kind)' 3:48 Charts. Peter Collins singles chronology ' (1985) ' The Power of Love (You Are My Lady)' (1985) ' (1986) ' (1985) ' The Power of Love (You Are My Lady)' (1985) ' (1986) Australian duo covered 'The Power of Love' for their. Since the song was sung by, the gender roles were reversed in the lyrics ('I'm your lady and you are my man' became 'You are my lady and I am your man'). It was released as a single in July 1985 in the United States, and later in Canada and New Zealand.
Their version was titled 'The Power of Love (You Are My Lady)' so as not to be confused with ' by which was on the charts at the same time. Air Supply's version was a moderate success in New Zealand and Canada, reaching the top 40 in both countries in late 1985. In the US, it peaked at number 68. This cover was featured in the 2017 film.
Track listing 7' single No. Title Length 1. 'The Power of Love (You Are My Lady)' 3:57 2. 'Sunset' 2:47 Personnel. keyboards.
keyboards,. Charts Chart (1985) Peak position Canada ( ) 35 Canada Adult Contemporary ( RPM) 4 New Zealand 21 US 68 US ( ) 13. recorded 'The Power of Love' under the title 'Power of Love' for her 1987 album,.
Produced by, the track was released in October 1987 as the album's second single, after '.' In December 1987, 'Power of Love' reached number twenty-six on the. It also peaked at number nineteen on the US chart.
Track listing 7' single No. Title Length 1. 'Power of Love' 4:44 2. 'Spirit of Love' 3:35 Personnel.
Laura Branigan – vocals. David J. Holman – PPG programming, engineering, mixing. – production.
– keyboards, drum programming, arrangement. – strings, arrangement Charts Chart (1987) Peak position US 26 US ( ) 19. Music video on Canadian singer covered 'The Power of Love' for her third English-language, (1993).
It was produced by and released as the first single in November 1993 in North America, in December 1993 in Japan, and in early 1994 in the rest of the world. A music video for the song was released. It only used the, which was the opening track for all releases of the song. 'The Power of Love' became Dion's first US number-one song, topping the for four weeks in February 1994.
It also became her first Australian chart topper and second number-one single in Canada. The song also topped the charts in the United States and Canada. In the rest of the world, 'The Power of Love' reached top ten in France, United Kingdom, Belgium, Sweden and New Zealand. It was certified Platinum in the United States and Australia, Gold in New Zealand and Silver in France.
In the United States, it has sold 1.5 million copies. 'The Power of Love' won the for Most Performed Song in the United States. It was also nominated for the, for Favorite Pop/Rock Single, two for Hot 100 Single of the Year and Hot Adult Contemporary Single of the Year, and for the. Thanks to 'The Power of Love,' was also nominated for the. 'The Power of Love' became one of Dion's. She performed it during all of her concert tours and included it on her live albums.
'The Power of Love' was also featured on Dion's greatest hits compilations: (1999), (2008), (2008) and (2012). Live performances are included on (album), (album), (video), (video), (video), (album/video), and (album/video). She also performed the song at the and her television special on 15 February 2008.
Critical reception Dave Sholin from the wrote about the song: 'A song this powerful places extraordinary demands on those who sing it. Only a rare few are up to the task and who better than Celine Dion to revive the song first made a hit around the world by Jennifer Rush. Add Celine's interpretation to producer David Foster's arrangement and the result is nothing short of superb.' Credits and personnel.
Producer –. Engineers – David Reitzas,. Assistant engineers – Bill Leonard, Erich Baron, Fred Kelly. Mix – Humberto Gatica. Vocal –. Keyboards – David Foster,.
programming – Simon Franglen. Guitars – Credits adapted from the album liner notes. Track listings 7' single No.
Title Length 1. 'The Power of Love' (Radio edit) 4:42 2. 'No Living Without Loving You' 4:23 CD single No. Title Length 1. 'The Power of Love' (Radio edit) 4:42 2.
'No Living Without Loving You' 4:23 3. ' 4:22 CD single (Japan) No. Title Length 1. 'The Power of Love' (Radio edit) 4:42 2. 'No Living Without Loving You' 4:23 3.
' 3:55 Charts.
NOTE: Your browser is not recognized and the Dusty Groove website may not function properly. The following might help you find what you're looking for:. Enable cookies and Javascript on your device.
If you are using a mobile device, visit the site from a desktop machine. If you are using an old version of your operating system or browser, upgrade to the current supported version. You can try using the. You may try to continue using the Dusty Groove website, and if you have any trouble placing your order online we suggest you make a list of the items you wish to buy order by phone at Monday through Friday, 10am–4pm, Central Time. (, ) (, ) A sweet collection of funk from this ultra-cool Japanese combo – all hand-picked, and served up in a special mix by DJ Muro!
Crazy Ken Band have an odd name, but a warmly soulful take on funk that began in the pre-Daptone years, and which maybe shares more with the funk revival modes on the London scene at the start of the 90s – especially as the group have some of the warmer currents of Incognito or Brand New Heavies! But there's also a harder funk approach on some numbers – really sharp instrumentation that works equally well with blasting horns or warmer modern soul grooves – almost always topped with lead lyrics in Japanese.
Most of their work was only issued overseas, so this collection's a great place to start with their music, especially with Muro in the lead! CD features 25 titles, most listed in Japanese – but with tracks that include 'Brand New Honda', 'El Diablo', 'Midnight Cruiser', 'Lady Mustang', and 'Punch Punch Punch'. © 1996-2018, Dusty Groove, Inc. We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages. Used Vinyl Grades Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a '+' or '-') the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item.
However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play. The following grading conditions apply to the vinyl component of an album or single.
Sealed This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as 'Sealed'. Near Mint - (minus). Black vinyl that may show a slight amount of dust or dirt. Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks. May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.). May have some slight marks from aging of the paper sleeve on the vinyl. Possible minor surface noise when played.
Very Good + (plus). Vinyl should be very clean, but can have less luster than near mint. Should still shine under a light, but one or two marks may show up when tilted.
• Update Bentley Map functionality. • Update of Bentley Descartes. Powercivil v8i crack. • Update of Bentley Subsurface Utility Engineering.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail. This is the kind of record that will play 'near mint', but which will have some signs of use (although not major ones).
May have slight surface noise when played. Very Good. Vinyl can have some dirt, but nothing major. May not shine under light, but should still be pretty clean, and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail. May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more. This is clearly a copy that was played by someone a number of times, but which could also be a good 'play copy' for someone new.
Very Good - (minus). Vinyl may be dirty, and can lack a fair amount of luster. Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper. This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record. Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface.
The record should play okay, though probably with surface noise. Good + (plus). Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean. May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips. In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.
Fair This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A 'Fair' record will have enough marks or significant flaws that it does not even qualify as 'Good', but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music.
For records listed as 'Fair', we will describe the extent of the condition in the comments. Used CD Grade We have only one grade for non-new CDs at Dusty Groove — 'Used CD'. This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund. With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that. You might be interested.
Crazy Ken Band 1107
高橋優 – 高橋優 BEST 2009-2015『笑う約束』 Released: 2015 Genre: Rock Bitrate: FLAC & MP3 320 KBPS RAR / 501 MB / 577 MB; RAR / 162 MB / 185 MB Tracklist: Disc 1: 01.福笑い・・・東京メトロ「TOKYO HEART」CMソング 02.明日はきっといい日になる 03.BE RIGHT 04.8月6日 05.ボーリング 06.頭ん中そればっかり 07.今を駆け抜けて・・・北海道アルバイト情報社「アルキタ」CMソング 08.素晴らしき日常・・・TBS系「あらびき団」2010年8・9月度EDテーマ曲 09.旅人・・・映画「東京難民」主題歌 10.サンドイッチ 11.同じ空の下・・・NHK総合「仕事ハッケン伝」テーマソング 12.パイオニア・・・日本テレビ系「フットンダ」2014年3月度EDテーマ 13.(Where’s)THE SILENT MAJORITY?・・・テレビ東京「みんな!エスパーだよ!」OPテーマ 14.ほんとのきもち・・・日本テレビ系ドラマ「Q10」主題歌 15.友へ Disc 2: 01.未だ見ぬ星座・・・横浜DeNAベイスターズ公式ドキュメンタリー主題歌 02.こどものうた.
Comments are closed.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |